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Utagawa Kunisada
Japanese, 1786-1864
The Actors Kasugaya Tokijiro and
Hananaya Urazato in a Play, 1856
With censorship seal (aratami) and
date seal (Dragon 11)
Nishiki-e (color woodblock print)
Oban format
Signed Kunisada
Museum Collection
Crossed eyes and bitten hair are a sign of concentrated passion,
in this conflict between a fierce samurai and an agitated woman,
played by an onnagata-that is, by a male actor who impersonates
women. The samurai is in Kabuki makeup. Note the effect of
blindprinting on the kimono, where the uninked woodblock creates
texture through embossing on the plain paper. The psychological
and cultural division between men and women in Japanese art and
society could be extreme-and their desperately tender
conjunction equally extreme. Many Kunisada prints are an
inspired advertisement for Kabuki theatre, which expressed the
heroically erotic and erotically heroic fantasies of the common
people in an authoritarian age.
Conflict between men and women in Japanese prints may be a
question of rank as much as gender. Yet, as in ancient Greek and
Hebrew literature, the power of women was revealed in art and
literature whatever its concealment in society. Is such
revelation patriarchal hypocrisy-or psychological truth manifest
through melodrama? Whatever the ideology of the moment, women
and men are overwhelmingly real. Even melodrama cannot
exaggerate the beautifully mad vitality of their relationship.
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